8 of the Best Booker Prize Winners

The longlist for the Man Booker Prize 2018 was announced today and The English Patient, by Michael Ondaatje was recently announced as the winner of the Golden Booker, readers' favourite Booker prize winner. This got me thinking about my own favourites amongst the previous winners of this prestigious prize and I came up with my own list of the best of the Booker Prize winners (I have read The English Patient, but it doesn't make my list!).

Paddy Clarke Ha Ha Ha by Roddy Doyle

The 1993 winner is told through the eyes of Paddy Clarke, a 10 year old boy in 1960s Dublin. It is a fantastic recreation of childhood and the voice of Paddy Clarke is beautifully created. Consecutive paragraphs skip from one topic to the next totally unrelated topic as Doyle captures perfectly the speech patterns of children, together with the boundless curiosity and never ending questions.His innocence / naivety provide poignancy as we realise we (and he) are witnessing the unravelling of his parents' marriage. Desperately sad and laugh out loud funny, it also provides social commentary on working class Dublin at this time - a must-read book.

The God of Small Things by Arundhati Roy

Arundhati Roy's debut novel won the Booker prize in 1997 to huge critical acclaim. It is a much loved and often talked about book. The prose is hauntingly beautiful and a real celebration of the English language. the book follows twins Rahel and Estha, growing up in Kerala. Their beautiful and much-loved cousin Sophie Mol comes to stay and dies tragically. We find out that she dies on page 3 but don't find out how or why until the last chapter. However, the ramifications of her death echo throughout the book and affect every character. 

Life of Pi by Yann Martel

This extraordinary book won the Booker Prize in 2002. It tells the story of a boy and a tiger marooned together on a life boat and will make you question everything you thought you knew. Probably the most thought-provoking book I have ever read. 

The Inheritance of Loss by Kiran Desai

This novel won the Booker prize in 2006. The story is told through 3 main characters: 16 year old Sai, who lives with her grandfather the judge, in a dilapidated hill station in the foothills of the Himalayas in northern India, and Biju, the son of the judge's cook, struggling to find a better life in New York. This is a searing examination of class and identity, and is a beautifully written and compelling story.

The Luminaries by Eleanor Catton

The 2013 winner is a huge novel in both length and scope. It is set in New Zealand during the gold rush of the 1860s. A very clever plot structure opens with a man stumbling upon a secret meeting of twelve men all gathered together to tell their stories. It turns out that all these stories are linked (often through many intricate layers) and a compelling mystery is gradually revealed. It is a page turner - you really want to get to the bottom of this mystery (even the nature of the mystery is not immediately apparent - is it a murder, disappearance, fraud?) and the way it is revealed is original and intelligent. The structure of the novel is important, but does not overpower it. The writing is eloquent and highly evocative of time and place. A real triumph!

True History of The Kelly Gang, by Peter Carey

This won the Booker prize in 2001 and it's easy to see why. It is a novel unlike anything else, where Carey completely transports the reader to the 19th Century and the life of the notorious bush ranger, Ned Kelly. Carey has written in the voice of Kelly, uneducated and barely literate and this is what helps to totally immerse the reader in the time and place, but also means that it can be hard to get into. A page turning adventure and a mind-blowing accomplishment from this talented author.

Wolf Hall and Bring up the Bodies by by Hilary Mantel

Hilary Mantel is only the third author (and the first British author, and first woman) to win the Booker prize twice: first for Wolf Hall in 2009 and then for its sequel Bring up The Bodies in 2012. Both books centre on Thomas Cromwell: the first covering his rise, from the humble beginnings of a blacksmith's son, to becoming one of the most powerful men in England, as adviser to the King; and the second centring on the downfall of Anne Boleyn and Cromwell's part in it. The historical detail and the beautiful descriptive writing mean that Tudor London really does come alive. The novel is written almost as Cromwell's stream of consciousness and that, coupled with the authentic language and turns of phrase from the sixteenth century, can make it difficult to get into, but persevere because it is worth it. This kind of total immersion in another time and place is what I crave when reading and Mantel achieves it. I really felt like I was living in Tudor London. A fascinating insight into a turbulent period in history and a look at power and the desires, dilemmas and corruptions associated with it. I found Bring up The Bodies to be faster paced and the more absorbing read, but  Wolf Hall is still a very rewarding read, and you can't really separate the two - they need to be read together.

What is your favourite Booker prize winning novel? What would you add to this list?

Book Review: Reservoir 13 by Jon McGregor

Reservoir 13 won the Costa Novel Award in 2017, but has very mixed reviews from readers on Amazon. So I knew before I started this would be be an unusual novel and not to everyone's taste, but I was completely blown away by it.

In the early years of the 21st century a 13 year old girl goes missing whilst on holiday in a Peak District village. The book follows the life of the village and villagers over the next 13 years. Each chapter covers 1 year of village life. There's no denying that the narrative style is unusual: there are no paragraphs and no "main characters". Instead the omniscient narrator seems somewhat removed from what is happening as he narrates on the annual cycles of the plants, animals and humans in the village, almost as if for a documentary, and therefore the reader feels somewhat removed from the characters. No character is given any more importance in terms of storyline or word count than any of the others. The prose is sparse and the details gleaned about each character are few and far between but over time the reader does feel close to each character and begins to feel that they know them intimately. Indeed the reader becomes totally immersed in the rhythms and life of this small, un-named rural community. At the same time the natural world and its seasonal rhythms are described with poetic beauty, often reminding me of the novels of Melissa Harrison (http://thisreadingmummy.blogspot.com/2018/03/book-review-clay-by-melissa-harrison.html).

There are no extraneous words in this novel. It is remarkable how McGregor manages to say so much and create such beautiful pictures and so much empathy for characters with so few words. The magic comes in the ordering of the sentences. A sentence or 2 about one character (always providing a snippet of important information about their life - sometimes heart breaking, sometimes brutal, sometimes funny) before moving on to the next character or village event, interspersed with fascinating details about the natural world.

I found this to be a beautiful and very affecting novel. I could not stop thinking about the characters. A real triumph of descriptive writing, celebrating the power of words to convey both pictures and emotions. I would wholeheartedly recommend it.

Book Review: Why I'm No Longer Talking to White People About Race, by Renni Eddo-Lodge

This was a challenging book to read and a difficult subject to write about,  but it is a book that everyone should read and a book that everyone should talk about. That's kind of the point of the book.

This book seeks to equip white British people with knowledge about the history of being black in Britain, including Britain's often forgotten involvement in the slave trade, and then shows how this has lead to a modern society that is structurally racist. The concept of white privilege is explained and the reader is shown how white privilege does apply to them, not just white people in the USA.  The book finishes by explaining what to do about it, how to challenge it and how to slowly begin to change the world.

As a white person, living in the UK, this was an incredibly uncomfortable, but thought provoking read. Time and again I was called on to examine my own conscience and review my own prejudices before trying to arrive at a whole new way of thinking. It left me feeling embarrassed by my own ignorance and lack of empathy, but also fired up. This is an important book.

The book is concise, accessible and incredibly well explained. Eddo-Lodge explains why she needed to write the book - the flat out denial she would run into from white people when she began to talk about racism in the UK and I found that on reflection, what she was talking about was indeed my own reaction. As soon as I realised this I knew I needed to read on. I am exactly the kind of person this book was written for, and the chances are that you are too.

The first thing that really resonated with me were her thoughts on British black history:

While the black British story is starved of oxygen, the US struggle against racism is globalised into the struggle against racism that we should look to for inspiration - eclipsing the black British story so much that we convince ourselves that Britain has never had a problem with race.

I first read about, and attempted to understand, white privilege in the novel Small Great Things, by Jodi Piccoult (http://thisreadingmummy.blogspot.com/2017/03/book-review-small-great-things-by-jodi.html ) and was guilty of exactly that sentiment! Piccoult does a great job of explaining white privilege, but I was blinded to it in the way described by Eddo-Lodge, thinking that racism and white privilege is only relevant in the USA.

Structural racism is another concept that is difficult to understand (and difficult to swallow for many white British people) but is explained in a razor-sharp way by Eddo-Lodge:

Structural racism is dozens, or hundreds, or thousands of people with the same biases joining together to make up one organisation, and acting accordingly. Structural racism is an impenetrably white workplace culture set by those people, where anyone who falls outside of the culture must conform or face failure. Structural is often the only way to capture what goes unnoticed - the silently raised eyebrows, the implicit biases, snap judgements made on perceptions of competency.

Eddo-Lodge challenges the oft-cited defence of well-meaning white people that they are not racist, they don't even see race and they are raising their children to be colour blind. 

Not seeing race does little to deconstruct racist structures or materially improve the conditions which people of colour are subject to daily. In order to dismantle unjust, racist structures, we must see race. We must see who benefits from their race, who is disproportionately impacted by negative stereotypes about their race, and to who power and privilege is bestowed upon - earned or not - because of their race, their class and their gender. Seeing race is essential to changing the system. 

Eddo-Lodge challenges without aggression, and causes the reader to reflect on their own ingrained biases on just about every page. There were many times when I had to pause, re-read and take stock. Please read this book.

As a post script, other works of fiction that were brought to mind when reading this book and which may provide other perspectives and background information on some of the issues include Small Great Things by Jodi Piccoult (as already mentioned); Americanah by Chimamanda Ngozi Adichie ,which talks about the experience of being black in the USA; and Homegoing by Yaa Gyasi (http://thisreadingmummy.blogspot.com/2017/01/book-review-homegoing-by-yaa-gyasi.html)  which attempts to explain the long lasting and far reaching consequences of slavery. However, all 3 of those books are about the American experience. I struggled to think of any books dealing with racism, the legacy of slavery or white privilege set in modern Britain, with British characters (which kind of proves Eddo-Lodge's point about Brits thinking race is an American issue). Small Island, by Andrea Levy came to mind though as it describes the shocking racism faced by Caribbean Immigrants to London in the 1940s/50s and the struggles they faced trying to settle in a new and often hostile country.

As always, suggestions of other relevant reading (fiction or non-fiction) are always very welcome.

Book Review: Where the World Ends, by Geraldine McCaughrean

Where the World Ends, by Geraldine McCaughrean has just been awarded the 2018 Carnegie Medal. My eleven-year-old daughter and I have both read and enjoyed it, although my daughter found it very scary, and I can see why. I am not sure of McCaughrean's target audience with this book and it has been categorised as teenage fiction in our local library. Having read it, I think this is probably a wise move as some of the content is quite graphic when describing injuries sustained- it could be described as gruesome in places - and the categorisation as teenage fiction means younger readers cannot check the book out on their own card, so parents are alerted that content may be unsuitable for some younger readers.
That said, this is a fabulous book, capable of totally transporting the reader to another time and place. For readers of my daughter's age and young teenagers this is a time and place so completely alien to their own experiences that this in itself is remarkable and makes for a magical reading experience. The setting is the archipelago of St Kilda, the most remote habitable islands in Britain, in the 1720s. A group of 9 boys of varying ages and 3 men are sent from the island of Hirta to Warrior Stac (basically a large lump of rock 4 miles out to sea) in order to hunt sea birds for their feathers, oil and meat. This expedition takes place every year and most of the boys have done the trip before. They are usually collected 3-4 weeks later. This particular year, the boat does not return to collect them and summer becomes autumn, which in turn becomes winter, and the weather worsens and the food begins to run out as they are marooned indefinitely on the Stac.
By turns terrifying, heartwarming, heartbreaking and even  humorous, we learn of the ways the boys cope and learn to survive in their extraordinary situation and we also learn a little of what everyday life would have been like on this remote archipelago 300 years ago. Fascinating, and a real page turner - a compelling adventure story and a study of group dynamics under stress.
This is fiction based on events that actually happened, and I think this is what made it even more frightening for my daughter, but it also makes for very poignant reflection on the hardships of life 300 years ago.
This is a deserved winner of a prize that aims to celebrate "outstanding books written in English for children and young people" as it has the power to offer total escapism whilst encouraging empathy with a people and way of life previously unimagined, as well as providing enjoyment, learning and the chance to reflect on your own behaviour in group situations. Powerful stuff, beautifully written.

Book Review: My Year of Meats, by Ruth Ozeki

My Year of Meats is the second Ruth Ozeki novel I have read ( the first being A Tale for the Time Being, which I loved and wrote about here :http://thisreadingmummy.blogspot.co.uk/2017/01/3-awesome-books-set-in-japan.html ) and I can't recommend it highly enough. The title is eye-catching and unusual and if you are looking for something different this novel does not disappoint. It has a narrative split between 2 women: Jane an American with a Japanese mother and American father, living in the USA and working for a Japanese TV company; and Akiko, the Japanese wife of an executive in the same Japanese TV company who lives in Japan.

Jane is a documentary film maker who lands a job making a TV series filming American families to promote American meat to families in Japan. The production company have a specific idea in mind of a wholesome American wife and family to be portrayed on each show but Jane wants to show her Japanese audience more of the real and diverse America. As the series progresses Jane makes some shocking discoveries about intensive meat production in the USA and becomes intent on exposing this.

Akiko is the unhappy wife of an executive within the production company, who is tasked by her husband with reviewing each episode and cooking the meat dish showcased within it. Her honest reviews cause further deterioration of her already unhappy marriage, but Akiko feels the families shown in the series resonate with her and she is driven to make contact with Jane. Eventually their 2 stories come together.

This book may seem primarily to be a shocking exposure of the flaws of factory farmed meat in the USA (nothing new to me reading in 2018 - still shocking, but not things I didn't know- but I imagine this was totally new to readers when it was published in 1998) but it is so much more than that. It explores the clash of cultures between America and Japan, particularly with regard to food, looks at domestic abuse (some scenes are very hard to read) and how this violence can be condoned and perpetuated by paternalistic societies idealising the submissive wife and is ultimately a shocking, compelling, moving and occasionally funny exploration of love, grief and the experience of growth and finding oneself. Masterfully written, with human and believable characters, this is a novel that stays with you.

Book Review: Everything I Never Told You, By Celeste Ng

I realise that I am a little late to the party on this one, as this is a book that everyone was talking about a few years ago, following its publication in 2015, but I have finally read it and I need to talk about it.

It is a while since I have been so moved by a book and so consumed by thoughts of what might have been.

This book opens with the line "Lydia is dead. But they don't know this yet." which is certainly an eye-catching opener. We follow Lydia's family as they report her missing and her body is discovered, and then through the heartbreaking months that follow as they try to understand what happened and come to terms with her death.

Lydia Lee is mixed race with a second generation Chinese father and an American mother. In small- town Ohio of the 1970s this is a big deal and the repercussions of this 'difference' cause problems for all 5 of the Lees. Each member of her family has their own demons to address: Lydia's mother is desperate for Lydia to be different, to confront stereotypes and stand out from the crowd; whilst her father is desperate for her to be liked and fit in as he has always felt like an outsider; her older brother wants to break free from his family; and her younger sister just wants to be loved for herself and not feel she is living in Lydia's shadow.

 The story flits back and forth in time between the present day following Lydia's death, the months leading up to her death, and all the way back to the early days of her her parents' relationship in order to provide insights into what happened to Lydia. This is never confusing and always works well, revealing information subtly to the reader. 

The subplot around their neighbour Jack never really works for me and the revelation concerning him near the end is unconvincing but this is a small point and does not detract from the overall experience. This is a tragic and thought provoking novel exploring themes of identity, growing up, fitting in and finding your place in the world. It also poignantly discusses the nature of love, regret and the sacrifices we make for love. It is an incredibly sad book, but I would wholeheartedly recommend it.

If you haven't read Hannah Kent's books, you should.

Hannah Kent is a fantastic author, with a rare ability to transport the reader completely to another time and place. I have just finished reading The Good People and cannot stop thinking about it. I read it in the car on a journey through France, with 4 others in the car including 3 children, and despite those distractions I was totally immersed in the world she describes.

Hannah Kent has only written 2 novels and both start from a fascinating point of inspiration - old court reports. She takes a particular character from history, out of these court reports and builds a fictional account of their lives and crimes, with the help of contemporary newspaper reports. And the results are engrossing stories with a crime / mystery at their heart, where the reader needs to discover what happens.

The Good People takes place in rural Ireland in the 1820s and tells the story of Nora Leahy  whose daughter and husband die within months of each other leaving her alone to take care of her crippled grandson, Michael Kelliher. She hires a maid, Mary, to help with this task and together they seek the advice of local "wise woman" Nance Roche. In this case, Nance Roche and Michael Kelliher are the real people mentioned in court reports from Tralee, Co.Kerry, in 1826.

The community these characters live in is very remote and life is hard. Famine and eviction are very real, almost constant threats. Whilst godfearing Catholic people, heavily influenced by the local priest, there is also strong belief in fairies, known as "the Good People" and many rituals are practised to discourage fairy mischief in their lives. Nance Roche is often consulted by villagers who believe she understands the ways of the fairies.
The world described is so different to our own, yet the characters are utterly believable and often likeable. Particularly touching is the relationship between Mary and Michael, the boy she cares for. She begins by being frightened off him, but soon grows to love him.

This is a desperately sad story of a community that has their traditional ways and beliefs come sharply into conflict with the modern world, with tragic consequences. 

Kent's debut novel, Burial Rites, is also set in the 1820s, but this time in Iceland. It concerns the story of Agnes Magnusdottir, the last woman to be executed in Iceland, who was convicted of murder in 1828. She is given into the reluctant care of a farming family until the sentence can be carried out, and is assigned a trainee minister as her spiritual mentor and the story of her crime is revealed through her meetings with him. Again, the writing is fantastic and the time and place is evoked with incredible intensity. Not a happy story, but a brilliant work of fiction that will totally transport the reader.

I am really hoping that Hannah Kent writes another book soon!