Book Review: Home Fire, by Kamila Shamsie

Home Fire, by Kamila Shamsie was announced as the winner of the Women's Prize for Fiction 2018 back in June so I have been eagerly anticipating reading it. It is a modern retelling of  Sophocles's Antigone, but is also a compelling and thrilling story of  contemporary Britain.

Isma Pasha is a young British Muslim who has been responsible for raising her teenage twin siblings Aneeka and Parvais, since the death of their parents. As the novel begins Isma is finally able to realise her dream of studying in America,. Whilst there she meets and befriends Eamonn, the son of a British Pakistani father and an Irish American mother, who soon becomes involved with the whole Pasha family. Matters are complicated by the fact that their father was a jihadi who was captured in Afghanistan and killed while en route to Guantanamo Bay, and Eamonn's father is the British Home Secretary, Karamat Lone. Cue a complicated story of conflicting loyalties and clashing cultures - a real Greek Tragedy.

The story with its themes of love, loyalty and clashes of both family and faith (Ancient Greek themes that are very relevant  today) is revealed from 5 different viewpoints  (Isma, Aneeka, Parvais, Eamonn and Karamat) and builds to a brutal and devastating climax that left me reeling.  I don't want to give away too much of the plot but need to tell you that it is an insightful exploration of the dilemma faced by Muslims in Britain today that draws you in and leaves you a little changed for reading it. It is a Greek Tragedy, so you shouldn't be expecting a happy ending but if you like a book to be a slightly uncomfortable read that will really make you think, then you should read this. 

8 of the Best Booker Prize Winners

The longlist for the Man Booker Prize 2018 was announced today and The English Patient, by Michael Ondaatje was recently announced as the winner of the Golden Booker, readers' favourite Booker prize winner. This got me thinking about my own favourites amongst the previous winners of this prestigious prize and I came up with my own list of the best of the Booker Prize winners (I have read The English Patient, but it doesn't make my list!).

Paddy Clarke Ha Ha Ha by Roddy Doyle

The 1993 winner is told through the eyes of Paddy Clarke, a 10 year old boy in 1960s Dublin. It is a fantastic recreation of childhood and the voice of Paddy Clarke is beautifully created. Consecutive paragraphs skip from one topic to the next totally unrelated topic as Doyle captures perfectly the speech patterns of children, together with the boundless curiosity and never ending questions.His innocence / naivety provide poignancy as we realise we (and he) are witnessing the unravelling of his parents' marriage. Desperately sad and laugh out loud funny, it also provides social commentary on working class Dublin at this time - a must-read book.

The God of Small Things by Arundhati Roy

Arundhati Roy's debut novel won the Booker prize in 1997 to huge critical acclaim. It is a much loved and often talked about book. The prose is hauntingly beautiful and a real celebration of the English language. the book follows twins Rahel and Estha, growing up in Kerala. Their beautiful and much-loved cousin Sophie Mol comes to stay and dies tragically. We find out that she dies on page 3 but don't find out how or why until the last chapter. However, the ramifications of her death echo throughout the book and affect every character. 

Life of Pi by Yann Martel

This extraordinary book won the Booker Prize in 2002. It tells the story of a boy and a tiger marooned together on a life boat and will make you question everything you thought you knew. Probably the most thought-provoking book I have ever read. 

The Inheritance of Loss by Kiran Desai

This novel won the Booker prize in 2006. The story is told through 3 main characters: 16 year old Sai, who lives with her grandfather the judge, in a dilapidated hill station in the foothills of the Himalayas in northern India, and Biju, the son of the judge's cook, struggling to find a better life in New York. This is a searing examination of class and identity, and is a beautifully written and compelling story.

The Luminaries by Eleanor Catton

The 2013 winner is a huge novel in both length and scope. It is set in New Zealand during the gold rush of the 1860s. A very clever plot structure opens with a man stumbling upon a secret meeting of twelve men all gathered together to tell their stories. It turns out that all these stories are linked (often through many intricate layers) and a compelling mystery is gradually revealed. It is a page turner - you really want to get to the bottom of this mystery (even the nature of the mystery is not immediately apparent - is it a murder, disappearance, fraud?) and the way it is revealed is original and intelligent. The structure of the novel is important, but does not overpower it. The writing is eloquent and highly evocative of time and place. A real triumph!

True History of The Kelly Gang, by Peter Carey

This won the Booker prize in 2001 and it's easy to see why. It is a novel unlike anything else, where Carey completely transports the reader to the 19th Century and the life of the notorious bush ranger, Ned Kelly. Carey has written in the voice of Kelly, uneducated and barely literate and this is what helps to totally immerse the reader in the time and place, but also means that it can be hard to get into. A page turning adventure and a mind-blowing accomplishment from this talented author.

Wolf Hall and Bring up the Bodies by by Hilary Mantel

Hilary Mantel is only the third author (and the first British author, and first woman) to win the Booker prize twice: first for Wolf Hall in 2009 and then for its sequel Bring up The Bodies in 2012. Both books centre on Thomas Cromwell: the first covering his rise, from the humble beginnings of a blacksmith's son, to becoming one of the most powerful men in England, as adviser to the King; and the second centring on the downfall of Anne Boleyn and Cromwell's part in it. The historical detail and the beautiful descriptive writing mean that Tudor London really does come alive. The novel is written almost as Cromwell's stream of consciousness and that, coupled with the authentic language and turns of phrase from the sixteenth century, can make it difficult to get into, but persevere because it is worth it. This kind of total immersion in another time and place is what I crave when reading and Mantel achieves it. I really felt like I was living in Tudor London. A fascinating insight into a turbulent period in history and a look at power and the desires, dilemmas and corruptions associated with it. I found Bring up The Bodies to be faster paced and the more absorbing read, but  Wolf Hall is still a very rewarding read, and you can't really separate the two - they need to be read together.

What is your favourite Booker prize winning novel? What would you add to this list?

Book Review: Reservoir 13 by Jon McGregor

Reservoir 13 won the Costa Novel Award in 2017, but has very mixed reviews from readers on Amazon. So I knew before I started this would be be an unusual novel and not to everyone's taste, but I was completely blown away by it.

In the early years of the 21st century a 13 year old girl goes missing whilst on holiday in a Peak District village. The book follows the life of the village and villagers over the next 13 years. Each chapter covers 1 year of village life. There's no denying that the narrative style is unusual: there are no paragraphs and no "main characters". Instead the omniscient narrator seems somewhat removed from what is happening as he narrates on the annual cycles of the plants, animals and humans in the village, almost as if for a documentary, and therefore the reader feels somewhat removed from the characters. No character is given any more importance in terms of storyline or word count than any of the others. The prose is sparse and the details gleaned about each character are few and far between but over time the reader does feel close to each character and begins to feel that they know them intimately. Indeed the reader becomes totally immersed in the rhythms and life of this small, un-named rural community. At the same time the natural world and its seasonal rhythms are described with poetic beauty, often reminding me of the novels of Melissa Harrison (http://thisreadingmummy.blogspot.com/2018/03/book-review-clay-by-melissa-harrison.html).

There are no extraneous words in this novel. It is remarkable how McGregor manages to say so much and create such beautiful pictures and so much empathy for characters with so few words. The magic comes in the ordering of the sentences. A sentence or 2 about one character (always providing a snippet of important information about their life - sometimes heart breaking, sometimes brutal, sometimes funny) before moving on to the next character or village event, interspersed with fascinating details about the natural world.

I found this to be a beautiful and very affecting novel. I could not stop thinking about the characters. A real triumph of descriptive writing, celebrating the power of words to convey both pictures and emotions. I would wholeheartedly recommend it.

Book Review: Why I'm No Longer Talking to White People About Race, by Renni Eddo-Lodge

This was a challenging book to read and a difficult subject to write about,  but it is a book that everyone should read and a book that everyone should talk about. That's kind of the point of the book.

This book seeks to equip white British people with knowledge about the history of being black in Britain, including Britain's often forgotten involvement in the slave trade, and then shows how this has lead to a modern society that is structurally racist. The concept of white privilege is explained and the reader is shown how white privilege does apply to them, not just white people in the USA.  The book finishes by explaining what to do about it, how to challenge it and how to slowly begin to change the world.

As a white person, living in the UK, this was an incredibly uncomfortable, but thought provoking read. Time and again I was called on to examine my own conscience and review my own prejudices before trying to arrive at a whole new way of thinking. It left me feeling embarrassed by my own ignorance and lack of empathy, but also fired up. This is an important book.

The book is concise, accessible and incredibly well explained. Eddo-Lodge explains why she needed to write the book - the flat out denial she would run into from white people when she began to talk about racism in the UK and I found that on reflection, what she was talking about was indeed my own reaction. As soon as I realised this I knew I needed to read on. I am exactly the kind of person this book was written for, and the chances are that you are too.

The first thing that really resonated with me were her thoughts on British black history:

While the black British story is starved of oxygen, the US struggle against racism is globalised into the struggle against racism that we should look to for inspiration - eclipsing the black British story so much that we convince ourselves that Britain has never had a problem with race.

I first read about, and attempted to understand, white privilege in the novel Small Great Things, by Jodi Piccoult (http://thisreadingmummy.blogspot.com/2017/03/book-review-small-great-things-by-jodi.html ) and was guilty of exactly that sentiment! Piccoult does a great job of explaining white privilege, but I was blinded to it in the way described by Eddo-Lodge, thinking that racism and white privilege is only relevant in the USA.

Structural racism is another concept that is difficult to understand (and difficult to swallow for many white British people) but is explained in a razor-sharp way by Eddo-Lodge:

Structural racism is dozens, or hundreds, or thousands of people with the same biases joining together to make up one organisation, and acting accordingly. Structural racism is an impenetrably white workplace culture set by those people, where anyone who falls outside of the culture must conform or face failure. Structural is often the only way to capture what goes unnoticed - the silently raised eyebrows, the implicit biases, snap judgements made on perceptions of competency.

Eddo-Lodge challenges the oft-cited defence of well-meaning white people that they are not racist, they don't even see race and they are raising their children to be colour blind. 

Not seeing race does little to deconstruct racist structures or materially improve the conditions which people of colour are subject to daily. In order to dismantle unjust, racist structures, we must see race. We must see who benefits from their race, who is disproportionately impacted by negative stereotypes about their race, and to who power and privilege is bestowed upon - earned or not - because of their race, their class and their gender. Seeing race is essential to changing the system. 

Eddo-Lodge challenges without aggression, and causes the reader to reflect on their own ingrained biases on just about every page. There were many times when I had to pause, re-read and take stock. Please read this book.

As a post script, other works of fiction that were brought to mind when reading this book and which may provide other perspectives and background information on some of the issues include Small Great Things by Jodi Piccoult (as already mentioned); Americanah by Chimamanda Ngozi Adichie ,which talks about the experience of being black in the USA; and Homegoing by Yaa Gyasi (http://thisreadingmummy.blogspot.com/2017/01/book-review-homegoing-by-yaa-gyasi.html)  which attempts to explain the long lasting and far reaching consequences of slavery. However, all 3 of those books are about the American experience. I struggled to think of any books dealing with racism, the legacy of slavery or white privilege set in modern Britain, with British characters (which kind of proves Eddo-Lodge's point about Brits thinking race is an American issue). Small Island, by Andrea Levy came to mind though as it describes the shocking racism faced by Caribbean Immigrants to London in the 1940s/50s and the struggles they faced trying to settle in a new and often hostile country.

As always, suggestions of other relevant reading (fiction or non-fiction) are always very welcome.